COMMUNITY /// WCD — Misfit Blues Jan 21-23

MISFIT BLUES

MISFIT BLUES

JANUARY 21-23, 8PM
THE RACHEL BROWNE THEATRE

BUY TICKETS

WCD’s co-presentation with Fortier Danse-Création of Paul-André Fortier’s Manitoba Premiere of MISFIT BLUES and the remount of THIN ICE.Sublime misfits, Fortier and Regina’s incandescent Robin Poitras, get wild and silly in an ‘intoxicating ride through the incomprehensible abstractions and piercing truths of two people experiencing themselves as a unity.’ —BWW Review by Matt Hanson.

Love, Clowning and other Silly Antics
Although they’ve been around awhile, they view intimate relations as an equation with several unknowns, except that today there are no limitations to expressing their enthusiasms and their failings. They love each other, good or bad. They sound each other out, challenge each other, know how to manipulate one another. Thick as thieves, they also get bored, enjoy a good laugh, tread delicately between candour and cruelty. Under the ambiguous gaze of coyotes created by the Amerindian artist Edward Poitras, they present tender, perverse, hilarious characters – angelic tramps straight out of a Beckett play or burlesque cinema. Sublime misfits.

After a successful and brilliant career over the past 40 years, the choreographer Paul-André Fortier pursues in Misfit Blues an adventure that began at the FTA in 2008 with Cabane. In this duo with the incandescent Robin Poitras (Bells, FTA 2013), he appears here in a new light in this bittersweet caricature of the grand human comedy.

Text by Fabienne Cabado

Special Note
Paul-André Fortier wants to recognize the special contribution of Robin Poitras to the development of the choreography ofMisfit Blues. While she is not a co-author of the piece, Robin Poitras fed the creation process with her presence and with her exceptional improvisation skills.

 

This work is dedicated to Denis Lavoie.

 About the Artists

PAUL-ANDRE FORTIER

 Paul-André Fortier has made an immense contribution to contemporary dance in Quebec over the past 40 years as a pioneering creator, performer and teacher. He has created nearly 50 choreographies, solos, group pieces and site-specific works. Interested in the crossover between different generations and art forms, he regularly features young dancers in his work, as well as other artists. In 2010, he was appointed Chevalier de l’ordre des Arts et des Lettres by the French govern­ment. In 2012, he received the Governor General’s Performing Arts Award and an appointment to the Order of Canada as Officer. At the age of 67, Paul-André Fortier is still performing his unique take on dance polished by maturity.

ROBIN POITRAS

Robin Poitras is one of Saskatchewan’s most prolific dance and performance creators. Creating dance, performance and installation works, she has been actively engaged in contemporary dance practice since the early 80s. Her practice is rooted in a physical world comprised of choreography, dance and actions/acts. She co-founded New Dance Horizons in 1986, where she continues to act as Artistic Director. With an interest in research into diverse fields of artistic and somatic practice she has developed a unique interdisciplinary approach. Robin’s works have been presented across Canada, in Spain, France, Germany, Mongolia and Mexico. She is a recipient of the Lifetime Achievement Award, the 2006 Mayor’s Awards for Business & The Arts in Regina, and the 2004 Women of Distinction Award for the Arts.

 

EDWARD POITRAS

Edward Poitras is a multi media visual artist with a background in performance creation. A product of the experimental Indian Art Cultural programs of the 1970s, Edward has worked as a teacher in the arts and has worked in communications in a audio visual department and as a freelance graphic artist. Edward has also been involved with a number of Aboriginal artist run centre’s and has curated a series of exhibitions whose focus was Treaty Four Territory. He has also co-curated a couple of story teller festivals. Edward has shown his work in international art biennials and other major national exhibitions. Edward lives on George Gordon First Nation.

 

Thin Ice

Thin Ice was created in January 2015 with two graduating students from the Professionnal Program of the School of Contemporary Dancers in Winnipeg in response to an invitation from Robin Poitras for her Men in Dance Festival held in Regina.

Fortier Danse-Création is remounting Thin Ice in Winnipeg in collaboration with the School of Contemporary Dancers.  Aaron Paul, graduated student, and Trevor Pick, 3rd year student, will perform the piece in a double bill program with Misfit Blues.  The evening will be co-presented by Winnipeg’s Contemporary Dancers and Fortier Danse-Création.

 

About the Dancers:

Aaron Michael Paul began his early dance training at the Royal Winnipeg Ballet School. After six years in the Professional Division, Aaron continued his studies at the School of Contemporary Dancers. Aaron has had the opportunity to perform works by Stephanie Ballard, Odette Heyn Projects, Constance Cooke, Drive Dance, Gaile Petursson-Hiley, Winnipeg’s Contemporary Dancers, Tedd Robinson, and Paul Andre Fortier. Aaron is thrilled to be apprenticing for WCD this season.

Trevor Pick is currently in the Third Year of the Professional Program of The School of Contemporary Dancers. He will be performing with the graduating dancers of the Program in New Dance Horizons’ Prairie Dance Circuit performance series in Regina in March 2016 and at the Canada Dance Festival in Ottawa in June 2016. Trevor has performed in a professional project with choreographer, Ming Hon, which was presented at aceartinc in June 2015. He was the recipient of a bursary award for the 2015 Pilobolus Summer Workshop Series. He is deeply honoured to have the opportunity to perform Paul-André Fortier’s Thin Ice (Glace vive).

COMMUNITY /// Kathleen Hiley Solo Projects

Kathleen Hiley Solo Projects celebrates its first full length evening of dance with three world premieres and signature works by renowned Canadian choreographers, Stephanie Ballard, Margie Gillis, Gaile Petursson-Hiley and Peter Quanz. Solo artist Kathleen Hiley, recognized for her dramatic, evocative and expressive interpretations by critics and audiences alike is highlighted in this diverse program of physical, emotionally charged and stimulating choreography. Kathleen Hiley Solo Projects premieres February 12 & 13, 2016 at the Gas Station Arts Center in Winnipeg, Manitoba, with the generous support of the Canada Council for the Arts and the Manitoba Arts Council. 

Performer 
Kathleen Hiley

Choreographers
Stephanie Ballard
Margie Gillis
Gaile Petursson-Hiley
Peter Quanz

Friday February 12, 2016 – 8:00 PM
Saturday February 13, 2016 – 8:00 PM

Gas Station Arts Centre 
445 River Avenue   Winnipeg, Manitoba

Tickets: $20
 Tickets available at the door or at kathleenhiley.org/tickets

COMMUNITY /// Mask and Clown Intensive (Baby Clown) led by John Turner

The Manitoulin Conservatory for Creation and Performance

(In partnership with The Red Nose Diaries)

Presents

Mask and Clown Intensive (Baby Clown)

Led by John Turner

Artistic Director of the Manitoulin Conservatory for Creation and Performance

April 23-May 8, 2016

Winnipeg, Manitoba

Fee 1300$ (plus GST)

100+ hrs.

Max 16 students

*This course has a rigorous schedule; expect full day classes with one day off, to be determined by the Instructor at the start of the workshop.

It is not necessary to be a performer to take this workshop.

All are welcome, from all walks of life!

A deposit of 650$ is required to guarantee a spot in the class.

For more information or to apply please email Spenser Payne or Alissa Watson

at – TheRedNoseDiaries@gmail.com

Course Description:

This course is based on the work of Canadian Clown Master Richard Pochinko and has been named many things: From Mask to Clown, Clown Through Mask, or The Baby Clown Workshop (the student’s clown is born at the end).

In this workshop students begin with a focus on listening. The initial exercises are used to awaken and encourage a sense of pleasure, an awareness of the audience, and an honest physical and emotional response to internal impulses and external events. Many exercises are done with eyes closed to help exercise and expand the student’s experience of perception and focus. The body (through specific movement exercises) is approached as a source of visualization for character or story elements through improvisations that include a great deal of work with colors.

Once the color work is done the students are ready for the making and wearing of six masks. This is an involved process of physicalization and visualization, exploring the innocence and experience of eachmask and the relationships between them. The masks are guideposts to the student’s creative playground and as such are also the guideposts to his/her clown. With each mask the student prepares a short turn (sketch) to express the essence of the mask without the use of verbal language. Through these turns and the exercises of the entire workshop the rules of clown emerge giving the student a fundamental understanding of clown and a deeper experience of the elements at play in any performance situation. This workshop is an intense blast and furnishes the student with multiple characters and a malleable structure for continued creative exploration with limitless applications. It is not necessary to be a performer to take this course. All are welcome, from all walks of life.

About the Instructor:

JOHN TURNER is best known as the “Smoot” half of Mump & Smoot, along with Michael Kennard (“Mump”). This award winning Canadian clown duo has delighted audiences throughout North America for the past twenty-eight years. After three sold out Fringe Festival tours in 1989, 1990, and 1992, Mump & Smoot went on to play regional theatres across the continent with great success.

These theatres include the Astor Place Theater (Off Broadway), Yale Repertory Theater, the La Jolla Playhouse, the Dallas Theater Center, the American Repertory Theater (Boston), Baltimore Center Stage, the Canadian Stage in Toronto, Alberta Theatre Projects in Calgary, and the Vancouver East Cultural Centre to name but a few.

John began teaching the Pochinko style of clown in 1991 at Equity Showcase in Toronto. He taught there for 7 years before opening his own studio, The SPACE, with Michael Kennard where he continued to teach, direct, and work on Mump & Smoot shows for the next 6 years. He currently teaches primarily throughout the summer on his farm on Manitoulin Island. He also has had ongoing teaching gigs at Laurentian University in the Francophone drama programme (14 years), the Centre for Indigenous Theatre (6 years) and the De-ba-jeh-mu-jig Theatre Company (5 years). Other teaching stints haveincluded the Yale School of Drama Graduate Program where he was an associate artist for seven years, Centre for Addiction and Mental Health (Workman Theatre Project), the University of Tel Aviv, the University of Calgary, Bishops University, the University of Guelph, California State University, Michigan Tech, the Humber Comedy Centre and the Stratford Festival.

John is also the director of Karen Hines’ Citizen Pochsy, one of the acclaimed trilogy of Pochsy Playson which John has collaborated for over a decade, (nominated for the Governor General’s Award for Drama).

Other directing credits include Sandrine Lafond’s Little Lady, Michael Kennard’s Puzzle Me Red, Miriam Cusson and Mélissa Rockburn’s Stuff, Diana Kolpak’s Lionheart, Emelia Symington Fedy’s Patti Fedy in Lovers Rock. For the De-ba-jeh-mu-jig Theatre Group, John directed the workshop and full production of The Gulch, as well as Tomson Highway’s A Trickster Tale. John also directed Clown & Such… at the Centre for Indigenous Theatre, Louis Negin’s The Boy Scouts’ Manual, and Linda Brokenshire’s The Lecture and The Hero.

Along with his long time partner and collaborator Michael Kennard, John has used his extensive performance and show creation experience to create more advanced workshops specifically designed for the student that wishes to use this work in a professional capacity. Some are performance oriented and some are creation oriented but there are as many reasons for taking them as there are students.

COMMUNITY /// Capoeira class!

Obra Prima Capoeira is offering beginner capoeira classes. Every one is welcome. 

Time: Tuesday’s 8-9:15pm and Saturdays 3-4:15pm

Where: university of Winnipeg recplex gymnasium

Cost: free

Contact: Orr.mimi@gmail.com for more info.

COMMUNITY /// Ali Robson – Pilates classes

I am teaching a Pilates class on Thursdays at 5:30pm at Kuhlektiv Yoga in South Osborne (684 Osborne-2nd floor above Monticchios).

Class will start on Thursday, January 14th and go for 12 weeks until March 31st.

Drop in is $15. A six class pass is $72 or 12 class pass for $120. Payment can be made in full by cash or cheque payable to Ali Robson or if you would like to arrange a payment schedule please come and talk to me. 

COMMUNITY /// Gearshifting STUDIO SHOWING

Dear Friends, Colleagues and Supporters,
 

Gearshifting Performance Works is hosting an informal Studio Showing on Tuesday, December 22nd at 2:30pm at The Nafro Dance Centre, 109 Pulford Street (2nd Floor, Augustine Village Church in Osborne Village).

New Work in Progress
Created by: Jolene Bailie
Dancers: Leelee Davis, Jillian Groening, Ian Mozdzen, Krista Nicholson, Elise Page, Camila Schujman

This New Creation project is with generous support from the Manitoba Arts Council and the Winnipeg Arts Council.

The showing is expected to run 45 minutes in length. This is a free event. 
Warnings: Language, not suitable for young audiences.
 

This new work will premiere April 15-17, 2016 at the Rachel Browne Theatre in Winnipeg.
 

Here is a sneak peek at what we have been working on:
https://www.youtube.com/watch?v=4S9oP5WK0fE

For more info about Gearshifting Performance Works, please visit: www.gearshifting.org
 

Feel free to share this information. This is a free event.

 

Thanks so much,
Sincerely,

Jolene Bailie

COMMUNITY /// Mitzvah with KANA NEMOTO

Mitzvah Classes 

with Kana Nemoto

 

The following dates are taking place at ACEARTINC (290 McDermot Ave, same doors as Metamorphosis) 

 

All classes are 930am-11am

 

Monday 21 December

Monday 11 January

Monday 18 January

Monday 25 January

Monday 1 February 

 

There are 2 classes taking place at THE JAPANESE CULTURAL ASSOCIATION OF MANITOBA

(180 McPhillips St)

 

930am-11am

 

Tuesday 5 January

Tuesday 9 February 

 

The Mitzvah Technique and Itcush Method is a new approach to movement and function of the body. Focusing on the alignment and mechanics of the body, we learn to release unnecessary tension and find efficient movement with minimum effort. By learning exercises on the floor, chair and concentrating on fundamental movements, we allow the body to become more aware of itself and its movement. 

 

Classes are $18 drop-in/ $15 per for all eight classes.

 

Some more info from other practitioners who have worked with Kana: 

 

Kathy Morgan: http://kmbodywork.com/

 

Ashley Johnson: https://itcushmethod.wordpress.com/